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Columbine in ABT’s revival of Ratmansky’s Nutcracker at the Brooklyn Academy of Music. When ABT brought Ratmansky’s Nutcracker to Segerstrom Center for the Arts in December 2015, Copeland reprised the role of Clara. In June 2015, Copeland created the small function of the Fairy Fleur de farine (Wheat flower) in Ratmansky’s The Sleeping Beauty. That 12 months, Copeland was recognized by The Council of Urban Professionals as their Breakthrough Leadership Award winner. The book accommodates photographs of Copeland dancing at sunrise on and around a baby grand piano that washed ashore under the Brooklyn Bridge. In 2019, Copeland danced Harlequinade reverse Calvin Royal III within the roles of Pirrette and Pierrot, in a rare instance of a black couple dancing together in ballet. Copeland was a “flawless” demi-soloist in Theme and Variations, in response to Colleen Boresta of Critical Dance. It premiered on March 29, 2012. The performance was hailed by Laura Bleiberg within the Los Angeles Times as one of many yr’s greatest dance performances.
In accordance with Los Angeles Times writer Jevon Phillips, she is the first African American woman to dance the function. In January 2016, Copeland reprised the function of Princess Florine within the Sleeping Beauty on the Kennedy Center, choreographed by Ratmansky. Copeland in all three. Her ascension to more distinguished roles occurred as three ABT principal dancers (Paloma Herrera, Julie Kent and Xiomara Reyes) entered their final seasons earlier than retirement. Pioneering dancers Raven Wilkinson and Lauren Anderson were on hand to current her with bouquets on stage. Oxygen community has expressed interest in producing a reality docuseries about Copeland mentoring a Master Class of aspiring young dancers. Copeland reprised her position as Gulnare in June 2013 within the pirate-themed Le Corsaire. The same month, she was praised within the dual role of Queen of the Dryads and Mercedes in Don Quixote by Brian Seibert of The new York Times, though Jerry Hochman of Critical Dance felt that she was not as spectacular in the former role as in the latter. After just one New York performance within the role, Copeland withdrew from the complete ABT season as a result of six stress fractures in her tibia. In 2012, Copeland started achieving solo roles in full-size customary repertory ballets slightly than works that have been principally relatively modern items.